576i50 becomes 1152p50 – QTGMC deinterlaces and doubles resolution and frame rate

Upscale & Deinterlace is the big brother of the plain deinterlacer: based on the Avisynth reference deinterlacer QTGMC, it separates the fields of interlaced material, reconstructs progressive frames via motion estimation and simultaneously upscales them 2× – at doubled frame rate. 576i50 (DV 25 fps) becomes 1152p50: progressive, square-pixel HD material that you can cut directly in a 1080p50 project. SD material thus becomes not just “field-clean” but also scaled up to your current project resolution – in a single right-click job.

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AI 2x upscaling with RealESRGAN+ (Nvidia RTX 2000+) – including automatic QTGMC deinterlacing

UpscalePro doubles the resolution of SD material using AI: the RealESRGAN+ AI model (Nvidia GPU accelerated, RTX 2000 series or higher) rebuilds soft, noisy or dated-looking footage into high-resolution images – 576i/576p becomes roughly 1080p. Unlike the QTGMC-based presets (see Upscale & Deinterlace), AI upscaling generates new image information: the AI reconstructs plausible detail instead of merely rearranging existing pixels. Interlaced sources (e.g. DV 576i) are automatically deinterlaced with QTGMC as part of the job – field order, pixel aspect and color space are read directly from the clip. The result: clean, progressive HD material from a single right-click.

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Python-based video processing, right on the EDIUS timeline

VapourSynth is a Python-based video processing engine with hundreds of filters – from professional deinterlacing and detail enhancement to audio processing. Using it in EDIUS involves two building blocks: a C++ VapourSynth plugin as the prerequisite, which is what lets EDIUS work with .vpy files at all, and the Vapoursynth Importer from the BAT Server, which appears in EDIUS's Tools menu, wraps a video file into a VapourSynth pipeline, and imports the processed result as a clip into the BIN.

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Master the Rhythm

Editing to the beat is essential for music videos, commercials, and high-energy montages. Beat Detect analyzes a clip's audio, finds the beats, and places a marker at each detected beat — so your visual cuts land exactly on the music.

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Wir hacken heute die DB von Mync :-)

Die Datenbank von Mync (bis EDIUS 9) beinhaltet alle verweise auf Dateien, Kataloge, Metadaten, etc.
Wir können unterschiedliches damit realisieren, zB die DB sichern.

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Replication steps:

1) Right-click on audio track patch then disable “Audio Source Channel (Stereo)” mode.
If the option is checked, click the option to uncheck.

2)      Place a clip onto the timeline. Audio will be placed to 1ch independent track.

3)      Adjust either volume or pan in any audio track.

4)      Right-click on audio track patch then enable  “Audio Source Channel (Stereo)” mode.

5)      The dialog will appear.

EDIUS audio track can place up to 2ch audio stream per one audio track if you enable Stereo mode for source channel.
However, volume or panning rubber band is single and you cannot set them for each track independently if stereo mode enabled.
Volume or pan can be modified independently if mono mode and you did it in step 3 in above. EDIUS asks you to apply volume or panning adjustment of odd channels to even channels by appearing the dialog. This is for the clip mounted in player window:

Yes button: EDIUS mounts timeline clip to player with all reset of volume and panning adjustment.
Adjustment in timeline won’t be lost.

No button: EDIUS mounts timeline clip to player with keeping volume/panning adjustment those have been done in odd channels.

EDIUS 9.3 Requirements to create a proxy

Video FrameRate: 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (fps)
Audio SamplingRate: 48000, 44100, 32000 (Hz)
No Alpha 

If video clip don't meet the requirements, EDIUS 9.3 can't create a Proxy.
Additional, if you change the frame rate of high res clip your proxy file in the timeline could get offline.